2h | Directed by Craig Gillespie | USA | Drama, sports, biography

SHOWTIMES

Click showtime to purchase tickets

Friday, Jan. 12
5:00 | 7:15 | 9:30 p.m.

Sat, Jan. 13
5:00 | 7:15 | 9:30

Sun, Jan. 14
5:00 | 7:15

Mon, Jan. 15
5:00 | 7:15 | 9:30

Tue, Jan. 16
5:00 | 7:15 | 9:30

Wed, Jan. 17
5:00 | 7:15 | 9:30

Thu, Jan. 18
9:30

Week 2

Friday, Jan. 19
4:30 | 9:00 p.m.

Sat, Jan. 20
4:30 | 7:00

Sun, Jan. 21
No screenings

Mon, Jan. 22
4:30 | 7:00

Tue, Jan. 23
4:30 | 7:00

Wed, Jan. 24
4:30 | 9:00

Thu, Jan. 25
4:30 | 9:00

R

Pervasive language, violence, and some sexual content/nudity

Trailer

Based on the unbelievable, but true events, I, Tonya is a darkly comedic tale of American figure skater, Tonya Harding, and one of the most sensational scandals in sports history. Though Harding was the first American woman to complete a triple axel in competition, her legacy was forever defined by her association with an infamous, ill-conceived, and even more poorly executed attack on fellow Olympic competitor Nancy Kerrigan. Featuring an iconic turn by Margot Robbie as the fiery Harding, a mustachioed Sebastian Stan as her impetuous ex-husband Jeff Gillooly, and a tour-de-force performance from Allison Janney as her acid-tongued mother, LaVona Golden, Craig Gillespie’s I, TONYA is an absurd, irreverent, and piercing portrayal of Harding’s life and career in all of its unchecked–– and checkered––glory. (c) NEON

Toronto International Film Festival
Closing Night of Hamptons Film Festival
Mill Valley Film Festival
Chicago Film Festival
New Orleans Film Festival
Opening Night of Philadelphia Film Festival
Middleburg Film Festival
Napa Valley Film Festival
Closing Night Austin Film Festival
Savannah Film Festival
Hawaii International Film Festival
AFI Festival
Napa Valley Film Festival
Closing Night Denver Film Festival
Houston Cinema Arts Festival
Key West Film Festival

A vivid slice of pop culture history-an irresistible, soapy mix of jealousy, competition and class warfare, fortified by powerful performances and unexpected emotional resonance.
Christy Lemire | RogerEbert.com | Full review

I, Tonya turns her tragedy into triumph.
Adam Graham | Detroit News | Full review

[Margot] Robbie’s screen presence makes her seem, at first blush, more suited to play Kerrigan. But just a few minutes into I, Tonya, I found myself captivated by the anger and blunt physicality that define Robbie’s performance.If you’re an admirer of [Michelle] Williams’s work, and who isn’t, you’re in for a surprise as well as a treat.
Angelica Jade Bastién | New York/Vulture | Full review

You won’t just find yourself rooting for this crazy kid; you might even fall a little bit in love.
Leah Greenblatt | Entertainment Weekly | Full review